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The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 07/08/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 07/08/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613294

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 07/08/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 07/08/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613317

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 07/08/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 07/08/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613353

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613393

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613532

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613556

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613589

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613394

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613432

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613436

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613492

Head, 1912 (circa) (sculpture)

Head, 1912 (circa) (sculpture)

Gaudier-Brzeska, Henri (1891-1915)

KET5838183

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 07/08/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 07/08/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4612995

Villa Les Glycines, 5 rue des Brices in Nancy (Meurthe and Moselle). Architects Emile Andre (1871-1933) in 1904 and Jacques Philippon in 1924. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

Villa Les Glycines, 5 rue des Brices in Nancy (Meurthe and Moselle). Architects Emile Andre (1871-1933) in 1904 and Jacques Philippon in 1924. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

André, Emile (1871-1933)

Luc Boegly

LBY4640879

An Art Nouveau building, 1 boulevard Charles V in Nancy (Meurthe and Moselle). Architect Lucien Weissenburger (1860-1929), 1904. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

An Art Nouveau building, 1 boulevard Charles V in Nancy (Meurthe and Moselle). Architect Lucien Weissenburger (1860-1929), 1904. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

Weissenburger, Lucien (1860-1929)

Luc Boegly

LBY4641230

Head, 1912 (circa) (sculpture)

Head, 1912 (circa) (sculpture)

Gaudier-Brzeska, Henri (1891-1915)

KET5838182

A view looking north east from the west end of Bedford Street showing the partially demolished houses of Bedford Street in the left foreground and the Dresden Pottery Works in the left distance, Bedford Street, Shelton, Stoke-On-Trent, City Of Stoke-On-Trent, UK, 1965-68 (b/w photo)

A view looking north east from the west end of Bedford Street showing the partially demolished houses of Bedford Street in the left foreground and the Dresden Pottery Works in the left distance, Bedford Street, Shelton, Stoke-On-Trent, City Of Stoke-On-Trent, UK, 1965-68 (b/w photo)

EHT5667734

Immeuble France Lanord, 71 avenue Foch (architect Emile Andre, 1904) La Villa Majorelle, 1 Rue Majorelle (architect Henri Sauvage, 1902) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

Immeuble France Lanord, 71 avenue Foch (architect Emile Andre, 1904) La Villa Majorelle, 1 Rue Majorelle (architect Henri Sauvage, 1902) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

André, Emile (1871-1933)

Luc Boegly

LBY4640426

Architect House, 28 rue des Brices (architect Charles Masson, 1933) La Maison Ramel 25 rue Felix Faure (architect Emile Andre, 1904) in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

Architect House, 28 rue des Brices (architect Charles Masson, 1933) La Maison Ramel 25 rue Felix Faure (architect Emile Andre, 1904) in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

André, Emile (1871-1933)

Luc Boegly

LBY4640933

Pharmacy Equipment, Containers Persian pharmacy jar, 12th century

Pharmacy Equipment, Containers Persian pharmacy jar, 12th century

UIS5062889

Nernst lamp (on), c 1900

Nernst lamp (on), c 1900

UIS5088069

Architect House, 28 rue des Brices (architect Charles Masson, 1933) La Maison Ramel 25 rue Felix Faure (architect Emile Andre, 1904) in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

Architect House, 28 rue des Brices (architect Charles Masson, 1933) La Maison Ramel 25 rue Felix Faure (architect Emile Andre, 1904) in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

André, Emile (1871-1933)

Luc Boegly

LBY4640951

La Verriere of the building of Credit Lyonnais in Nancy (Meurthe and Moselle). Architect Felicien Cesar (1849-1930), construction 1902. Verriere of architects Jacques Gruber and Charles Gauville. In Nancy, Art Nouveau takes the name of Ecole de Nancy or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

La Verriere of the building of Credit Lyonnais in Nancy (Meurthe and Moselle). Architect Felicien Cesar (1849-1930), construction 1902. Verriere of architects Jacques Gruber and Charles Gauville. In Nancy, Art Nouveau takes the name of Ecole de Nancy or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

Gruber, Jacques (1870-1936)

Luc Boegly

LBY4640716

Detail, Villa Les Colombes, 10 rue du General Clinchant (architect Charles Masson, 1925) Detail, Maison d'architecte, 2 a 8 rue du Lieutenant Crepin (architect Charles Masson, 1930), in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

Detail, Villa Les Colombes, 10 rue du General Clinchant (architect Charles Masson, 1925) Detail, Maison d'architecte, 2 a 8 rue du Lieutenant Crepin (architect Charles Masson, 1930), in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

Masson, Charles (1894-1971)

Luc Boegly

LBY4640783

The temple of Yeha in Tigray, museum, Ethiopia (photo)

The temple of Yeha in Tigray, museum, Ethiopia (photo)

Sergi Reboredo

SRB3584913

Morocco: 'The Barber', oil on panel, Jean Discart (1856-1944), Tangiers, late 19th century

Morocco: 'The Barber', oil on panel, Jean Discart (1856-1944), Tangiers, late 19th century

PFH3277580

Nambe Pueblo, c.1879-80 (albumen print)

Nambe Pueblo, c.1879-80 (albumen print)

Hillers, John K. (1843-1925)

PRM479413

Two fishermen riding atop "reed horses", special cigar shaped, wave-breaking boats believed to have .., 2001 (photo)

Two fishermen riding atop "reed horses", special cigar shaped, wave-breaking boats believed to have .., 2001 (photo)

Mariana Bazo

REU7471212

Haymakers (enamel on Wedgwood biscuite earthenware)

Haymakers (enamel on Wedgwood biscuite earthenware)

Stubbs, George (1724-1806)

WGL2129

Two Bowls, Timurid, late 14th century-15th century (underglaze painted earthenware)

Two Bowls, Timurid, late 14th century-15th century (underglaze painted earthenware)

BON131969

HEA - PYROMETERS Pyrometers, 1786-1856

HEA - PYROMETERS Pyrometers, 1786-1856

UIS5062892

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613520

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613525

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613601

The tower of the New York Times, built in 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. New York, United States. Photography 07/08/07.

The tower of the New York Times, built in 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. New York, United States. Photography 07/08/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613054

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 07/08/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 07/08/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613184

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 07/08/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 07/08/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613339

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613413

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613419

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613433

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613469

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 07/08/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 07/08/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613307

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 07/08/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 07/08/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613346

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 07/08/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 07/08/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613355

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 07/08/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 07/08/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613360

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613434

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613445

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613479

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613484

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613485

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613553

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613563

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

The tower of the New York Times, New York, United States, construction 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. Photography 23/11/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613569

CHINESE Three ivory opium pipes, Chinese, 19th century

CHINESE Three ivory opium pipes, Chinese, 19th century

UIS5091458

CHINESE Three ivory opium pipes, Chinese, 19th century

CHINESE Three ivory opium pipes, Chinese, 19th century

UIS5091462

View of the Empire State Building from the tower of the New York Times, built in 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. New York, United States. Photography 07/08/07.

View of the Empire State Building from the tower of the New York Times, built in 2007, architect Renzo Piano. This 279 meter high tower presents an interesting technical feature. The agency has designed, on the metal structures carried to the outside, a second skin giving the illusion of a large floating sail, passing the summit by about thirty metres. Composed of 200,000 tubes of vitrified ceramics, this second skin, a kind of permanent sun breeze, detaches facades with extremely transparent glazing, perfectly reflects the light of the sky and the city. New York, United States. Photography 07/08/07.

Piano, Renzo (b.1937)

Michel Denance

MDA4613220

Villa Les Glycines, 5 rue des Brices in Nancy (Meurthe and Moselle). Architects Emile Andre (1871-1933), 1902-1904 and Jacques Philippon, expansion in 1924. In Nancy, Art Nouveau takes the name of Ecole de Nancy or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

Villa Les Glycines, 5 rue des Brices in Nancy (Meurthe and Moselle). Architects Emile Andre (1871-1933), 1902-1904 and Jacques Philippon, expansion in 1924. In Nancy, Art Nouveau takes the name of Ecole de Nancy or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

André, Emile (1871-1933)

Luc Boegly

LBY4640873

The building of Banque Renauld (BNP), 9 rue de Chanzy in Nancy (Meurthe and Moselle). Architects Emile Andre (1871-1933) and Paul Charbonnier (1865-1953), 1910. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

The building of Banque Renauld (BNP), 9 rue de Chanzy in Nancy (Meurthe and Moselle). Architects Emile Andre (1871-1933) and Paul Charbonnier (1865-1953), 1910. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

André, Emile (1871-1933)

Luc Boegly

LBY4640745

España Square, Seville, Spain, 2007 (photo)

España Square, Seville, Spain, 2007 (photo)

SAP479096

Maison d'architecte detail, 28 rue des Brices (architect Charles Masson, 1913) La Maison Ramel 25 rue Felix Faure (architect Emile Andre, 1904) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

Maison d'architecte detail, 28 rue des Brices (architect Charles Masson, 1913) La Maison Ramel 25 rue Felix Faure (architect Emile Andre, 1904) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

André, Emile (1871-1933)

Luc Boegly

LBY4640943

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