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Knight of the Order of Alcantara. Spanish military order established in 1176, originally called the Knights of Saint Julian of the Poirier, after the name of a hermit of the Salamanca region, the order was recognized by Pope Celestin III (ne Giacinto di Pietro di Bobone, 1106-1198, elected pope in 1191) in 1197. they obey the rules and the Cistercian dress, wearing a white coat, with a cross Scarlate. The Knights of Alcantara acquire many castles and possessions, mostly at the expense of Muslims. They amassed a great fortune in war and in pious donations. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Knight of the Order of Alcantara. Spanish military order established in 1176, originally called the Knights of Saint Julian of the Poirier, after the name of a hermit of the Salamanca region, the order was recognized by Pope Celestin III (ne Giacinto di Pietro di Bobone, 1106-1198, elected pope in 1191) in 1197. they obey the rules and the Cistercian dress, wearing a white coat, with a cross Scarlate. The Knights of Alcantara acquire many castles and possessions, mostly at the expense of Muslims. They amassed a great fortune in war and in pious donations. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708459

Knight of the Order of Aviz, in ceremonial dress. A Portuguese military religious order, after the conquest of Aviz (Portugal), a military fortress was built and became the mother house of the order, who first called themselves the Knights of St. Benedict d'Aviz until they adopted the Benedictine rule in 1162. They were subject to the rules and the Cistercian costume, wearing a white coat and a green lysee flower cross, although this illustration clearly shows a red Cistercian cross on the chest of his coat. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Knight of the Order of Aviz, in ceremonial dress. A Portuguese military religious order, after the conquest of Aviz (Portugal), a military fortress was built and became the mother house of the order, who first called themselves the Knights of St. Benedict d'Aviz until they adopted the Benedictine rule in 1162. They were subject to the rules and the Cistercian costume, wearing a white coat and a green lysee flower cross, although this illustration clearly shows a red Cistercian cross on the chest of his coat. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708503

Brother serving (or escort) (180) and Tresorier (181) of the Order of the Templars. The Order of the Knights of the Temple was founded in 1118 by Hugues de Payns (died 1136), Knight of Champagne and eight other knights to protect the pelerins in the Holy Land. After a humble beginning as Poor Knights of the Temple, the order developed to become a powerful and rich army of fighting monks, with monasteres throughout Europe, and numerous castles in Palestine (Safed, 1140; Karak, 1143; and the castle of the Pelerins 1217). The order ended tragically in 1312 when the Templars were judges, tortures and executes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Brother serving (or escort) (180) and Tresorier (181) of the Order of the Templars. The Order of the Knights of the Temple was founded in 1118 by Hugues de Payns (died 1136), Knight of Champagne and eight other knights to protect the pelerins in the Holy Land. After a humble beginning as Poor Knights of the Temple, the order developed to become a powerful and rich army of fighting monks, with monasteres throughout Europe, and numerous castles in Palestine (Safed, 1140; Karak, 1143; and the castle of the Pelerins 1217). The order ended tragically in 1312 when the Templars were judges, tortures and executes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708378

A goth warrior, in helmet and armor, coat and fur panties, entirely weapon: swords, spears, bow and arrows. The Goths were born for war, using all the weapons from the javelin to the club, sometimes fighting on foot but favouring fighting on horseback. Their pleasure was the looting and maintenance of their weapons. The Swabian is described with his distinctive hat, wearing a metal chest and legs, weapon of his sword, with a fur coat on his shoulders. The Swabians were made up of an alliance of different German and Lombard peoples. They distinguished themselves from other German peoples by their headdresses, they tied their hair in bun to their heads. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

A goth warrior, in helmet and armor, coat and fur panties, entirely weapon: swords, spears, bow and arrows. The Goths were born for war, using all the weapons from the javelin to the club, sometimes fighting on foot but favouring fighting on horseback. Their pleasure was the looting and maintenance of their weapons. The Swabian is described with his distinctive hat, wearing a metal chest and legs, weapon of his sword, with a fur coat on his shoulders. The Swabians were made up of an alliance of different German and Lombard peoples. They distinguished themselves from other German peoples by their headdresses, they tied their hair in bun to their heads. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4706751

Queen Constance of Arles (or of Provence, 986-1034), third wife of Robert II, King of France, (972-1031). Hair covered with a veil that wrapped the neck and neck (99). The hairstyle of the queens of France was of great simplicity, naturally falling on the shoulders or restrained by a ribbon (100). The Franks tunic extended from the neck to the feet, so as to hide them, at least partially, cut very close to the body, making the contours of the waist visible with elegance (Figures 99, 100 and 102). Queens of second or third generation wore richly embroidered belts, the end of which fell very low (100). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Queen Constance of Arles (or of Provence, 986-1034), third wife of Robert II, King of France, (972-1031). Hair covered with a veil that wrapped the neck and neck (99). The hairstyle of the queens of France was of great simplicity, naturally falling on the shoulders or restrained by a ribbon (100). The Franks tunic extended from the neck to the feet, so as to hide them, at least partially, cut very close to the body, making the contours of the waist visible with elegance (Figures 99, 100 and 102). Queens of second or third generation wore richly embroidered belts, the end of which fell very low (100). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

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Templar costume in their monastery. The Order of the Knights of the Temple was founded in 1118 by Hugues de Payns (died 1136), Knight of Champagne and eight other knights to protect the pelerins in the Holy Land. After a humble beginning as Poor Knights of the Temple, the order developed to become a powerful and rich army of fighting monks, with monasteres throughout Europe, and numerous castles in Palestine (Safed, 1140; Karak, 1143; and the castle of the Pelerins 1217). The order ended tragically in 1312 when the Templars were judges, tortures and executes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Templar costume in their monastery. The Order of the Knights of the Temple was founded in 1118 by Hugues de Payns (died 1136), Knight of Champagne and eight other knights to protect the pelerins in the Holy Land. After a humble beginning as Poor Knights of the Temple, the order developed to become a powerful and rich army of fighting monks, with monasteres throughout Europe, and numerous castles in Palestine (Safed, 1140; Karak, 1143; and the castle of the Pelerins 1217). The order ended tragically in 1312 when the Templars were judges, tortures and executes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

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Norman king in ceremonial costume (118). The coats of kings and nobility were not always the same length, sometimes they were so long that they dragged on the floor, the coats of Normans and Saxons were often fastened to the chest. The Norman kings and the nobility wore two tunics of equal length, one on top of the other, the one below was probably made of cotton. The custom of wearing long tunics with a coat, falling to the heels, comes from Germany and was adopted by the Saxons. From the late 11th, early 12th century, men and women wore this type of tunic, extremely long, often with embroidered borders. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Norman king in ceremonial costume (118). The coats of kings and nobility were not always the same length, sometimes they were so long that they dragged on the floor, the coats of Normans and Saxons were often fastened to the chest. The Norman kings and the nobility wore two tunics of equal length, one on top of the other, the one below was probably made of cotton. The custom of wearing long tunics with a coat, falling to the heels, comes from Germany and was adopted by the Saxons. From the late 11th, early 12th century, men and women wore this type of tunic, extremely long, often with embroidered borders. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

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Templars who do not yet have the Cross, the knights wear the official dress “” no longer than the Cross””. The Order of the Knights of the Temple was founded in 1118 by Hugues de Payns (died 1136), Knight of Champagne and eight other knights to protect the pelerins in the Holy Land. After a humble beginning as Poor Knights of the Temple, the order developed to become a powerful and rich army of fighting monks, with monasteres throughout Europe, and numerous castles in Palestine (Safed, 1140; Karak, 1143; and the castle of the Pelerins 1217). The order ended tragically in 1312 when the Templars were judges, tortures and executes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Templars who do not yet have the Cross, the knights wear the official dress “” no longer than the Cross””. The Order of the Knights of the Temple was founded in 1118 by Hugues de Payns (died 1136), Knight of Champagne and eight other knights to protect the pelerins in the Holy Land. After a humble beginning as Poor Knights of the Temple, the order developed to become a powerful and rich army of fighting monks, with monasteres throughout Europe, and numerous castles in Palestine (Safed, 1140; Karak, 1143; and the castle of the Pelerins 1217). The order ended tragically in 1312 when the Templars were judges, tortures and executes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

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Knight of the Order of Saint Lazarus of Jerusalem, 1796 (engraving)

Knight of the Order of Saint Lazarus of Jerusalem, 1796 (engraving)

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Cartoon of demon adorned with a predominantly Norman with long sleeves, attached to the sleeves and tail, to its sides, a Norman woman seated and veiled, wearing a baby, and another Norman woman with long braid hair, clothed with one above all. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Cartoon of demon wearing a Norman long sleeved surtout tied at the sleeves and tails, seated Norman woman in veil holding a baby, and Norman woman with long plaited hair in a surtout. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

Cartoon of demon adorned with a predominantly Norman with long sleeves, attached to the sleeves and tail, to its sides, a Norman woman seated and veiled, wearing a baby, and another Norman woman with long braid hair, clothed with one above all. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Cartoon of demon wearing a Norman long sleeved surtout tied at the sleeves and tails, seated Norman woman in veil holding a baby, and Norman woman with long plaited hair in a surtout. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

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Blanche (died 1310), daughter of Jean de Laon, sire of Atteinville and Adelaide of Vermandois (944-975), wife of Lambert, count of Chalon sur Saone, circa 955, then wife of Geoffroy I count of Anjou, in 959. The Franc women's tunic covered the body from the neck to the feet, making the contours of the waist visible with elegance (101 and 102). The veil covered with grace, the curls of their hair, which reappeared from below, produced a charming effect. These descriptions date back to the 13th century, when these types of sails were still in use.Copper engraving hand-coloured, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Blanche (died 1310), daughter of Jean de Laon, sire of Atteinville and Adelaide of Vermandois (944-975), wife of Lambert, count of Chalon sur Saone, circa 955, then wife of Geoffroy I count of Anjou, in 959. The Franc women's tunic covered the body from the neck to the feet, making the contours of the waist visible with elegance (101 and 102). The veil covered with grace, the curls of their hair, which reappeared from below, produced a charming effect. These descriptions date back to the 13th century, when these types of sails were still in use.Copper engraving hand-coloured, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

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Knight of the Order of Alcantara in ceremonial dress. Spanish military order established in 1176, originally called the Knights of Saint Julian of the Poirier, after the name of a hermit of the Salamanca region, the order was recognized by Pope Celestin III (ne Giacinto di Pietro di Bobone, 1106-1198, elected pope in 1191) in 1197. they obey the rules and the Cistercian dress, wearing a white coat, with a cross Scarlate. The Knights of Alcantara acquire many castles and possessions, mostly at the expense of Muslims. They amassed a great fortune in war and in pious donations. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Knight of the Order of Alcantara in ceremonial dress. Spanish military order established in 1176, originally called the Knights of Saint Julian of the Poirier, after the name of a hermit of the Salamanca region, the order was recognized by Pope Celestin III (ne Giacinto di Pietro di Bobone, 1106-1198, elected pope in 1191) in 1197. they obey the rules and the Cistercian dress, wearing a white coat, with a cross Scarlate. The Knights of Alcantara acquire many castles and possessions, mostly at the expense of Muslims. They amassed a great fortune in war and in pious donations. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

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Three warriors with spades, naked body, covered with star paint and animals (flowers for women). They carry spears with rounded ends, like the Britons, in the right hand and javelins or shields in the left hand. (Images from Speed costume collection). In “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.Three Picts are shown with their naked bodies covered in paintings of stars, animals (on the male) and flowers (on the females). They carry lances with ball ends, like the Britons, in their right hands, and javelins or shields in their left. The images were taken from [Speed's] Collection of the Dresses, etc. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

Three warriors with spades, naked body, covered with star paint and animals (flowers for women). They carry spears with rounded ends, like the Britons, in the right hand and javelins or shields in the left hand. (Images from Speed costume collection). In “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.Three Picts are shown with their naked bodies covered in paintings of stars, animals (on the male) and flowers (on the females). They carry lances with ball ends, like the Britons, in their right hands, and javelins or shields in their left. The images were taken from [Speed's] Collection of the Dresses, etc. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

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Knight of the Teutonic Order and Knight of Malta in costume to make wishes. The Teutonic knights were a medieval military order. His history was nomadic, his cradle was Acre in Palestine (1190-1309), then Marienburg in Prussia (1309-1525), where he developed his military supremacy, and finally settled in Vienna (Austria), as a purely hospital order. The Order of Malta came from the Knights Hospitaller, a military order founded in 1099 to treat the pelerins in Palestine. After their expulsion from the Holy Land, the order settled on the island of Rhodes (1310-1523) until it settled in Malta in 1530. The order ruled the island until 1798. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Knight of the Teutonic Order and Knight of Malta in costume to make wishes. The Teutonic knights were a medieval military order. His history was nomadic, his cradle was Acre in Palestine (1190-1309), then Marienburg in Prussia (1309-1525), where he developed his military supremacy, and finally settled in Vienna (Austria), as a purely hospital order. The Order of Malta came from the Knights Hospitaller, a military order founded in 1099 to treat the pelerins in Palestine. After their expulsion from the Holy Land, the order settled on the island of Rhodes (1310-1523) until it settled in Malta in 1530. The order ruled the island until 1798. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

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Knight of the Order of Our Lady of Misericorde and Knight of the Order of the Glorious Virgin Mary. The Order of Our Lady of Misericorde (or Mercy) was founded in 1230 by Pierre Nolasque (1189-1256), governor of Aragon and Raymond de Penyafort (1175 or 1180-1275), brother preacher, for the redemption of the Christian brothers captive of the Moors, then became a purely religious order. The Order of the Glorious Virgin Mary was founded in 1233, by Barthelemy (died 1270), eveque of Vicenza (Italy) and was not approved by the Pope until 1268, the order was dedicated to restoring peace by the sword, with a ban on wearing golden spurs. Its members were nicknamed the Merry Brothers. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Knight of the Order of Our Lady of Misericorde and Knight of the Order of the Glorious Virgin Mary. The Order of Our Lady of Misericorde (or Mercy) was founded in 1230 by Pierre Nolasque (1189-1256), governor of Aragon and Raymond de Penyafort (1175 or 1180-1275), brother preacher, for the redemption of the Christian brothers captive of the Moors, then became a purely religious order. The Order of the Glorious Virgin Mary was founded in 1233, by Barthelemy (died 1270), eveque of Vicenza (Italy) and was not approved by the Pope until 1268, the order was dedicated to restoring peace by the sword, with a ban on wearing golden spurs. Its members were nicknamed the Merry Brothers. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

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Costumes of Norman women in the 12th century. The sleeves are always very wide and end in a kind of pocket, on two of the figures represented. The figure on the right, has sleeves of different colors, which seem to be separate parts of his dress. The cuff of the middle one falls very low, on the left of his head, while on the right it is thrown on the shoulder. The head of the left figure is wrapped around his neck on one side and falls back on his right breast on the other side. The figure on the left presents a headdress, one end of which is thrown on the chest and the other on the left shoulder, both completely covering, the folds are gathered at the top of the head and held by a diademe or a circle of gold. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Costumes of Norman women in the 12th century. The sleeves are always very wide and end in a kind of pocket, on two of the figures represented. The figure on the right, has sleeves of different colors, which seem to be separate parts of his dress. The cuff of the middle one falls very low, on the left of his head, while on the right it is thrown on the shoulder. The head of the left figure is wrapped around his neck on one side and falls back on his right breast on the other side. The figure on the left presents a headdress, one end of which is thrown on the chest and the other on the left shoulder, both completely covering, the folds are gathered at the top of the head and held by a diademe or a circle of gold. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

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Knight of the temple who does not yet have the Cross, but is already armed with a spear and a sword. His dress officially must not be “” longer than the Cross””. The Order of the Knights of the Temple was founded in 1118 by Hugues de Payns (died 1136), Knight of Champagne and eight other knights to protect the pelerins in the Holy Land. After a humble beginning as Poor Knights of the Temple, the order developed to become a powerful and rich army of fighting monks, with monasteres throughout Europe, and numerous castles in Palestine (Safed, 1140; Karak, 1143; and the castle of the Pelerins 1217). The order ended tragically in 1312 when the Templars were judges, tortures and executes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Knight of the temple who does not yet have the Cross, but is already armed with a spear and a sword. His dress officially must not be “” longer than the Cross””. The Order of the Knights of the Temple was founded in 1118 by Hugues de Payns (died 1136), Knight of Champagne and eight other knights to protect the pelerins in the Holy Land. After a humble beginning as Poor Knights of the Temple, the order developed to become a powerful and rich army of fighting monks, with monasteres throughout Europe, and numerous castles in Palestine (Safed, 1140; Karak, 1143; and the castle of the Pelerins 1217). The order ended tragically in 1312 when the Templars were judges, tortures and executes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

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Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the execution work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste. In “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.Norman effigy from Danbury Church.This monument is found in the church at Danbury, in the county of Essex. It is probably older than plate 62, but is of wood not stone. It is astonishing, seeing the little care taken in its conservation, that it is in such good condition. [Strutt] remarks that the perfection of the work is an enigma to him when compared to others of the same epoque, or in contemporary pictures or designs, which lack both accuracy and taste. Handcolored copperpl

Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the execution work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste. In “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.Norman effigy from Danbury Church.This monument is found in the church at Danbury, in the county of Essex. It is probably older than plate 62, but is of wood not stone. It is astonishing, seeing the little care taken in its conservation, that it is in such good condition. [Strutt] remarks that the perfection of the work is an enigma to him when compared to others of the same epoque, or in contemporary pictures or designs, which lack both accuracy and taste. Handcolored copperpl

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Portaits of the kings Louis IV of France (920 or 921-954) (Figure 81) and Lothaire (Lothar) I (795-855), emperor of the Romans, King of Baviere, Italy and Middle Francia (Figure 82). Both have a tunic and a coat of different lengths. Their crowns differ, that of Louis IV is closed like a diademe and his sceptre is topped by a pine cone, Lothaire wears a simple circle of gold decorated with flowers, and his sceptre is topped by a flower. For the French, as for the Anglo Saxons, the mantle was reserved for persons of high rank. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. King Louis IV and King Lothar I. Louis IV (81) wears a long tunic and a mantle that is not fastened anywhere with a clasp, just simply thrown over the breast; his crown is closed like a diadem, and his sceptre ends in a pine cone. Lothar I (82) is clothed like Louis IV, only his mantle is shorter and

Portaits of the kings Louis IV of France (920 or 921-954) (Figure 81) and Lothaire (Lothar) I (795-855), emperor of the Romans, King of Baviere, Italy and Middle Francia (Figure 82). Both have a tunic and a coat of different lengths. Their crowns differ, that of Louis IV is closed like a diademe and his sceptre is topped by a pine cone, Lothaire wears a simple circle of gold decorated with flowers, and his sceptre is topped by a flower. For the French, as for the Anglo Saxons, the mantle was reserved for persons of high rank. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. King Louis IV and King Lothar I. Louis IV (81) wears a long tunic and a mantle that is not fastened anywhere with a clasp, just simply thrown over the breast; his crown is closed like a diadem, and his sceptre ends in a pine cone. Lothar I (82) is clothed like Louis IV, only his mantle is shorter and

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Indian man and woman from a monument. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

Indian man and woman from a monument. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

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Dacian women. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

Dacian women. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

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Three Indian figures from a monument. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

Three Indian figures from a monument. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

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Roman actor called Maccus. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

Roman actor called Maccus. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

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Roman sacrificial offering. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

Roman sacrificial offering. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

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Roman actors in masks. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

Roman actors in masks. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

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Dacian warrior with axe and a German captive. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

Dacian warrior with axe and a German captive. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

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Roman slingers with slingshot and stones. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

Roman slingers with slingshot and stones. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

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Sacred bull ready for sacrifice. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

Sacred bull ready for sacrifice. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

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Two Roman men in togas. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

Two Roman men in togas. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

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Two Jewish women under a palm tree. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

Two Jewish women under a palm tree. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

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Ceremonial election of a duke among the Franks. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

Ceremonial election of a duke among the Franks. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

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Performance of a Roman sacrifice. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

Performance of a Roman sacrifice. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

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Armenian archer with bow and quiver, and Parthian man. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

Armenian archer with bow and quiver, and Parthian man. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

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Roman soldiers in leather armour carrying shields. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

Roman soldiers in leather armour carrying shields. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

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Roman dancing girls in seethrough robes. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

Roman dancing girls in seethrough robes. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

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Persian with spear and shield, and a Persian chariot. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

Persian with spear and shield, and a Persian chariot. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

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Greek philosopher and Greek priest with offering bowl. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

Greek philosopher and Greek priest with offering bowl. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

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Spanish and Spanish woman with shield and spears. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

Spanish and Spanish woman with shield and spears. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

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Armenian governor and Armenian prince. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

Armenian governor and Armenian prince. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

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A young woman of Friesland. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

A young woman of Friesland. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

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Woman of Dalmatia. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

Woman of Dalmatia. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

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Indian war elephant with soldiers and archers in a tower palanquin. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

Indian war elephant with soldiers and archers in a tower palanquin. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

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Dacian or Sarmatian man with turban, and priest of the Narhavalians, a Germanic race. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

Dacian or Sarmatian man with turban, and priest of the Narhavalians, a Germanic race. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

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Roman dancer and circus rider with team of four horses. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

Roman dancer and circus rider with team of four horses. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

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Two Etruscan warriors in mortal combat with daggers. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

Two Etruscan warriors in mortal combat with daggers. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

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Egyptian priest with scroll and another priest with waterjug. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

Egyptian priest with scroll and another priest with waterjug. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

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Two Amazon women warriors with lance, axe, shield and helmet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

Two Amazon women warriors with lance, axe, shield and helmet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

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Jewish high priest and kneeling Jewish woman with veil. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

Jewish high priest and kneeling Jewish woman with veil. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

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Roman Lictor with fasces (hatchet) and a Roman man in tunic. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

Roman Lictor with fasces (hatchet) and a Roman man in tunic. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

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A young woman of Friesland. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

A young woman of Friesland. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

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The last supper with Jesus Christ and his apostles. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

The last supper with Jesus Christ and his apostles. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

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Persian woman and captive Gaul king. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

Persian woman and captive Gaul king. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

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Spanish nobleman, 1577. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

Spanish nobleman, 1577. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

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Danish lady, 1626. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

Danish lady, 1626. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

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Danish nobleman, 1626. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

Danish nobleman, 1626. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

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Merchant's wife from Denmark. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

Merchant's wife from Denmark. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

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An armed man of Dalmatia. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

An armed man of Dalmatia. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

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Emperor Augustus in the Paludamentum (war cloak) and a Roman performing a sacrifice. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

Emperor Augustus in the Paludamentum (war cloak) and a Roman performing a sacrifice. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

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An Egyptian king or pharaoh and an Egyptian man in full dress. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

An Egyptian king or pharaoh and an Egyptian man in full dress. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

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Roman one-horse chariot known as the Rheda, Cavruca or Cavrus. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

Roman one-horse chariot known as the Rheda, Cavruca or Cavrus. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

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