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Images of '1772' found, 4,127

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Magnetic map of the Earth, 1734

Magnetic map of the Earth, 1734

UIS5094986

William Oldys, c.1738 (oil on canvas)

William Oldys, c.1738 (oil on canvas)

Unknown artist, (18th century)

SOA1765245

A black man hung alive by the Ribs to a Gallows, from 'Narrative of a Five Years' Expedition against the Revolted Negroes of Surinam, in Guiana, on the Wild Coast of South America, from the year 1772, to 1777', engraved by William Blake (1757-1827), published 1796 (engraving)

A black man hung alive by the Ribs to a Gallows, from 'Narrative of a Five Years' Expedition against the Revolted Negroes of Surinam, in Guiana, on the Wild Coast of South America, from the year 1772, to 1777', engraved by William Blake (1757-1827), published 1796 (engraving)

Stedman, John Gabriel (1744-97) (after)

STC169766

German edition of the Lenormand French cartomancy deck: The Ring, The Book, The Letter, The Gentleman, published by Dondorf, Frankfurt, 19th Century (colour litho)

German edition of the Lenormand French cartomancy deck: The Ring, The Book, The Letter, The Gentleman, published by Dondorf, Frankfurt, 19th Century (colour litho)

French School, (19th century)

KJN336539

Tea, Camellia sinensis, native to China. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Tea, Camellia sinensis, native to China. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569878

Aspalathus crenata, native to South Africa. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Aspalathus crenata, native to South Africa. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569615

Phylica orientalis, native to South Africa. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Phylica orientalis, native to South Africa. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569701

Pink azalea, Rhododendron nudiflorum. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Pink azalea, Rhododendron nudiflorum. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569527

War of Vendee: Francois Severin Marceau Desgraviers (1769-1796), leader of the Republicans crushed the sales orders by Henri du Vergier, count of La Rochejaquelein (or Verger de La Rochejacquelein) (1772-1794) at Le Mans. Engraving in “Histoire de France””. Series of advertising images published on behalf of Louit, 24 rue d'Eysines-a-Bordeaux, circa 1920. Total image size: 7.8x5.5 cm. Private collection.

War of Vendee: Francois Severin Marceau Desgraviers (1769-1796), leader of the Republicans crushed the sales orders by Henri du Vergier, count of La Rochejaquelein (or Verger de La Rochejacquelein) (1772-1794) at Le Mans. Engraving in “Histoire de France””. Series of advertising images published on behalf of Louit, 24 rue d'Eysines-a-Bordeaux, circa 1920. Total image size: 7.8x5.5 cm. Private collection.

DUV4205578

Summer and winter habitations in Kamchatka, drawn by John Webber. In 1779, Captain James Cook's Discovery and Resolution anchored in the bay of Petropavlovsk-Kamchatsky, following Cook's death.

Summer and winter habitations in Kamchatka, drawn by John Webber. In 1779, Captain James Cook's Discovery and Resolution anchored in the bay of Petropavlovsk-Kamchatsky, following Cook's death.

BL3294561

View in Ulietea with a double canoe & a boathouse. A group of Tahitians gathered around two baskets containing fish. A large double canoe. Engraved by E. Rooker.

View in Ulietea with a double canoe & a boathouse. A group of Tahitians gathered around two baskets containing fish. A large double canoe. Engraved by E. Rooker.

BL3294010

Society Islands. A war canoe.

Society Islands. A war canoe.

BL3294030

View in the island of Huaheine with an wharrah. Engraved by W. Woollett. An engraving after Sydney Parkinson, showing an open-sided building with religious significance, with offering table. There is a small pond beside the building, with two figures bathing.

View in the island of Huaheine with an wharrah. Engraved by W. Woollett. An engraving after Sydney Parkinson, showing an open-sided building with religious significance, with offering table. There is a small pond beside the building, with two figures bathing.

BL3294050

Malay boats, 1848 (drawing)

Malay boats, 1848 (drawing)

BL5622287

View in Dusky Bay with a Maori canoe, 18th century (oil on panel)

View in Dusky Bay with a Maori canoe, 18th century (oil on panel)

Hodges, William (1744-97)

MMM7295306

ALEMBERT, Jean Le Rond D'(1717-1783). English philosopher, writer and mathematician.; DIDEROT, Denis (1713-1784). English erudite writer and philosopher. Type in press. Detail of plate 1 for article “” Imprimerie in Lettres”” of the Encyclopedia, “” Dictionary Raisonne des Sciences des Arts et Metiers”” or “” Encyclopedie”””. Directed by Diderot and d'Alembert. 1751-1772, Paris. Engraving. SPAIN. CATALONIA. Barcelona. Barcelona University Library

ALEMBERT, Jean Le Rond D'(1717-1783). English philosopher, writer and mathematician.; DIDEROT, Denis (1713-1784). English erudite writer and philosopher. Type in press. Detail of plate 1 for article “” Imprimerie in Lettres”” of the Encyclopedia, “” Dictionary Raisonne des Sciences des Arts et Metiers”” or “” Encyclopedie”””. Directed by Diderot and d'Alembert. 1751-1772, Paris. Engraving. SPAIN. CATALONIA. Barcelona. Barcelona University Library

Esteban

CUL4875799

A woman of Oonalashka. Drawn from nature by J. Webber, and engraved by Jean-Marie Delatre.Drawing of the head and shoulders of a woman looking three-quarters left. She is wearing a close-fitting seal-skin coat from the seams of which hang pendant beads. Her hair is tied in a knot at the back of the head, and worn as a fringe across the forehead. There are tattoo lines across both cheeks, and nose and chin ornaments. The lower lip is perforated.

A woman of Oonalashka. Drawn from nature by J. Webber, and engraved by Jean-Marie Delatre.Drawing of the head and shoulders of a woman looking three-quarters left. She is wearing a close-fitting seal-skin coat from the seams of which hang pendant beads. Her hair is tied in a knot at the back of the head, and worn as a fringe across the forehead. There are tattoo lines across both cheeks, and nose and chin ornaments. The lower lip is perforated.

Webber, John (1750-93) (after)

BL3294527

Dendrium buxifolium, native to America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Dendrium buxifolium, native to America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569778

A morai in Atooi. A depiction of a burial place shows a small rock-strewn field surrounded by low stone walls. In the right foreground is a thatch longhouse or "mana". In the middle background is the tall open-work oracle tower or "lananu'u". There is a serrated post in the centre, and a platform supported by two poles.

A morai in Atooi. A depiction of a burial place shows a small rock-strewn field surrounded by low stone walls. In the right foreground is a thatch longhouse or "mana". In the middle background is the tall open-work oracle tower or "lananu'u". There is a serrated post in the centre, and a platform supported by two poles.

BL3294391

Various articles, at the Sandwich Islands. Drawn by John Webber and engraved by John Record. Drawing of six numbered articles. 1. Flat instrument edged with shark's teeth (possibly used as a knife or saw), rounded at the top and pointed at the handle end. String is attached to the handle for the hand to pass through. 2. Tool or weapon, rounded on one side with a string attached to the handle end. 3. Musical instrument (rattle), being a small gourd with an `umbrella'-shape covered with feathers, attached to the side of the gourd. 4. An idol with eyes represented by pieces of shell, and teeth made from dog's teeth. 5. Boar tusk bracelet with cord attached . 6. Dagger with cord attached.

Various articles, at the Sandwich Islands. Drawn by John Webber and engraved by John Record. Drawing of six numbered articles. 1. Flat instrument edged with shark's teeth (possibly used as a knife or saw), rounded at the top and pointed at the handle end. String is attached to the handle for the hand to pass through. 2. Tool or weapon, rounded on one side with a string attached to the handle end. 3. Musical instrument (rattle), being a small gourd with an `umbrella'-shape covered with feathers, attached to the side of the gourd. 4. An idol with eyes represented by pieces of shell, and teeth made from dog's teeth. 5. Boar tusk bracelet with cord attached . 6. Dagger with cord attached.

BL3294438

A man of Kamtschatka, travelling in winter'. Observed during Captain Cook's 3rd voyage. In 1779, Captain James Cook's Discovery and Resolution anchored in the bay of Petropavlovsk-Kamchatsky, following Cook's death.

A man of Kamtschatka, travelling in winter'. Observed during Captain Cook's 3rd voyage. In 1779, Captain James Cook's Discovery and Resolution anchored in the bay of Petropavlovsk-Kamchatsky, following Cook's death.

BL3294563

The inside of a winter habitation, in Kamtschatka (Kamchatka Peninsula, Siberia). Drawn from nature by John Webber, engraved by William Sharp. In 1779, Captain James Cook's Discovery and Resolution anchored in the bay of Petropavlovsk-Kamchatsky, following Cook's death.

The inside of a winter habitation, in Kamtschatka (Kamchatka Peninsula, Siberia). Drawn from nature by John Webber, engraved by William Sharp. In 1779, Captain James Cook's Discovery and Resolution anchored in the bay of Petropavlovsk-Kamchatsky, following Cook's death.

BL3294567

A man of Prince William's Sound. Drawn by John Webber and engraved by James Basire. Drawing of the head and shoulders of a man. He is wearing a conical shaped basketry hat (with a chin-strap) which is decorated with a geometrical design near the top and glass beads on the crest around the rim. Plaited braid pendants are attached to his hair about his ears. He wears a moustache, a short beard, and a nose-ornament beaded at each end.

A man of Prince William's Sound. Drawn by John Webber and engraved by James Basire. Drawing of the head and shoulders of a man. He is wearing a conical shaped basketry hat (with a chin-strap) which is decorated with a geometrical design near the top and glass beads on the crest around the rim. Plaited braid pendants are attached to his hair about his ears. He wears a moustache, a short beard, and a nose-ornament beaded at each end.

BL3294475

A sledge of Kamchatka. In 1779, Captain James Cook's Discovery and Resolution anchored in the bay of Petropavlovsk-Kamchatsky, following Cook's death.

A sledge of Kamchatka. In 1779, Captain James Cook's Discovery and Resolution anchored in the bay of Petropavlovsk-Kamchatsky, following Cook's death.

BL3294512

A view of the town & harbour of St Peter and St Paul in Kamtschatka; Drawn by John Webber. A view of the town and harbour of St Peter & St Paul (Petropavlovsk) looking towards the entrance of Avacha Bay. The village is shown on the sandy peninsula with Kamchatkan summer huts and Russian log huts. A man and woman at left; a canoe containing three men in the central foreground, other groups of figures along the shore; the Resolution and Discovery in the Bay in the distance, further off a snowy peak. In 1779, Captain James Cook's Discovery and Resolution anchored in the bay of Petropavlovsk-Kamchatsky, following Cook's death.

A view of the town & harbour of St Peter and St Paul in Kamtschatka; Drawn by John Webber. A view of the town and harbour of St Peter & St Paul (Petropavlovsk) looking towards the entrance of Avacha Bay. The village is shown on the sandy peninsula with Kamchatkan summer huts and Russian log huts. A man and woman at left; a canoe containing three men in the central foreground, other groups of figures along the shore; the Resolution and Discovery in the Bay in the distance, further off a snowy peak. In 1779, Captain James Cook's Discovery and Resolution anchored in the bay of Petropavlovsk-Kamchatsky, following Cook's death.

BL3294531

March Through a Swamp in Pursuit of Slaves, from 'Narrative of a Five Years' Expedition against the Revolted Negroes of Surinam, in Guiana, on the Wild Coast of South America, from the year 1772 to 1777', engraved by Francesco Bartolozzi (1727-1815), published 1796 (coloured engraving)

March Through a Swamp in Pursuit of Slaves, from 'Narrative of a Five Years' Expedition against the Revolted Negroes of Surinam, in Guiana, on the Wild Coast of South America, from the year 1772 to 1777', engraved by Francesco Bartolozzi (1727-1815), published 1796 (coloured engraving)

Stedman, John Gabriel (1744-97) (after)

CHT293287

A black woman Slave, with a Weight chained to her ankle, from 'Narrative of a Five Years' Expedition against the Revolted Negroes of Surinam, in Guiana, on the Wild Coast of South America, from the year 1772 to 1777', engraved by Francesco Bartolozzi (1727-1815), published 1796 (engraving)

A black woman Slave, with a Weight chained to her ankle, from 'Narrative of a Five Years' Expedition against the Revolted Negroes of Surinam, in Guiana, on the Wild Coast of South America, from the year 1772 to 1777', engraved by Francesco Bartolozzi (1727-1815), published 1796 (engraving)

Stedman, John Gabriel (1744-97) (after)

STC169765

The war boats of the island of Otaheite (Tahiti) and the Society Isles, with a view of part of the harbour of Ohaneneno, in the island of Ulieta, one of the Society Islands, 1777 (oil on canvas)

The war boats of the island of Otaheite (Tahiti) and the Society Isles, with a view of part of the harbour of Ohaneneno, in the island of Ulieta, one of the Society Islands, 1777 (oil on canvas)

Hodges, William (1744-97)

MMM7295316

Friedrich Christoph Perthes, 1884-90 (phototype)

Friedrich Christoph Perthes, 1884-90 (phototype)

German School, (19th century)

PRX1002471

Chloe saving Daphnis with sound of her flute, scene from Pastoral loves of Daphnis and Chloe, by Longo Sophista (3rd century), engraving from 1714 by Benoit Audran (1698-1772), from drawing by Philippe d'Orleans (1674-1723), Quillau edition, Paris, 1718

Chloe saving Daphnis with sound of her flute, scene from Pastoral loves of Daphnis and Chloe, by Longo Sophista (3rd century), engraving from 1714 by Benoit Audran (1698-1772), from drawing by Philippe d'Orleans (1674-1723), Quillau edition, Paris, 1718

G. De Vecchi

DGA766715

A black man hung alive by the Ribs to a Gallows, from 'Narrative of a Five Years' Expedition against the Revolted Negroes of Surinam, in Guiana, on the Wild Coast of South America, from the year 1772, to 1777', engraved by William Blake (1757-1827), published 1796 (colour engraving)

A black man hung alive by the Ribs to a Gallows, from 'Narrative of a Five Years' Expedition against the Revolted Negroes of Surinam, in Guiana, on the Wild Coast of South America, from the year 1772, to 1777', engraved by William Blake (1757-1827), published 1796 (colour engraving)

Stedman, John Gabriel (1744-97) (after)

CHT265575

[A] view of Maitavie Bay, [in the island of] Otaheite [Tahiti], 1776 (oil on canvas)

[A] view of Maitavie Bay, [in the island of] Otaheite [Tahiti], 1776 (oil on canvas)

Hodges, William (1744-97)

MMM7295308

David Ricardo

Chesterton, Gilbert Keith (1874-1936)

XLF3782448

Autograph: Frederick the Great 1757.

Autograph: Frederick the Great 1757.

XLF3784310

German edition of the Lenormand French cartomancy deck: The Key, The Fish, The Anchor,The Cross, published by Dondorf, Frankfurt, 19th Century (colour litho)

German edition of the Lenormand French cartomancy deck: The Key, The Fish, The Anchor,The Cross, published by Dondorf, Frankfurt, 19th Century (colour litho)

French School, (19th century)

KJN336541

Luke Howard, 19th century (litho)

Luke Howard, 19th century (litho)

Opie, John (1761-1807) (after)

UIS5075317

A dance in Otaheite. Drawn and engraved by J.B Cupriani and F. Bartolozzi. Three Raiatean women dancing, accompanied by two drummers and a flautist. The flautist is blowing a nose flute. The scene is an interior one, with the group surrounded by columns.

A dance in Otaheite. Drawn and engraved by J.B Cupriani and F. Bartolozzi. Three Raiatean women dancing, accompanied by two drummers and a flautist. The flautist is blowing a nose flute. The scene is an interior one, with the group surrounded by columns.

BL3294160

A white bear. A polar bear standing on ice, seen during Captain Cook's third voyage. Another engraving has this fuller caption 'A white bear found in the Pacific ocean, near Icy Cape'.

A white bear. A polar bear standing on ice, seen during Captain Cook's third voyage. Another engraving has this fuller caption 'A white bear found in the Pacific ocean, near Icy Cape'.

BL3294572

The Tschuktschi, and their habitations; drawn by John Webber and engraved by Daniel Lerpiniere. Two Chukchi men armed with bows and arrows at left, a third figure and a dog at right. Two summer huts (Yarangas) at right. In the background behind the figures is a hillock (semidugout) serving as another habitation. In 1779, Captain James Cook's Discovery and Resolution anchored in the bay of Petropavlovsk-Kamchatsky, following Cook's death.

The Tschuktschi, and their habitations; drawn by John Webber and engraved by Daniel Lerpiniere. Two Chukchi men armed with bows and arrows at left, a third figure and a dog at right. Two summer huts (Yarangas) at right. In the background behind the figures is a hillock (semidugout) serving as another habitation. In 1779, Captain James Cook's Discovery and Resolution anchored in the bay of Petropavlovsk-Kamchatsky, following Cook's death.

BL3294528

Inhabitants of Norton Sound, and their habitations; Drawn. John Webber and engraved by B.T. Pouncy. In the central foreground is a woman with a child on her back, carrying a wooden bucket. Both are covered by a cloak. At left behind her is a man and a log hut. A canoe is drawn up on the shore at the right, behind a rack for hanging nets and drying fish.

Inhabitants of Norton Sound, and their habitations; Drawn. John Webber and engraved by B.T. Pouncy. In the central foreground is a woman with a child on her back, carrying a wooden bucket. Both are covered by a cloak. At left behind her is a man and a log hut. A canoe is drawn up on the shore at the right, behind a rack for hanging nets and drying fish.

BL3294530

Malay boats, 1808 (drawing)

Malay boats, 1808 (drawing)

BL5622297

Portrait of Queen Caroline, wife of King George IV (colour litho)

Portrait of Queen Caroline, wife of King George IV (colour litho)

Huet-Villiers, Jean Francois Marie (1772-1813) (after)

LLH2775403

Rosa gallica var. El June, Provence rose. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Rosa gallica var. El June, Provence rose. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569992

Buttonbush, Cephalanthus occidentalis, native to North America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Buttonbush, Cephalanthus occidentalis, native to North America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4570021

Chinese hibiscus, Hibiscus rosa sinensis, native to Asia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Chinese hibiscus, Hibiscus rosa sinensis, native to Asia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4570109

Creeping snapdragon or chickabiddy, Maurandya scandens, native to Mexico. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Creeping snapdragon or chickabiddy, Maurandya scandens, native to Mexico. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4570169

Pink swamp heath, Sprengelia, incarnata, native to Australia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Pink swamp heath, Sprengelia, incarnata, native to Australia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569605

Firecracker flower, Crossandra infundibuliformis, native to the East Indies. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Firecracker flower, Crossandra infundibuliformis, native to the East Indies. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569628

White lady, Thunbergia fragrans, native to Australia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

White lady, Thunbergia fragrans, native to Australia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569650

Mayflower or trailing arbutus, Epigaea repens, native to America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Mayflower or trailing arbutus, Epigaea repens, native to America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569760

Orchid cactus, Disocactus speciosus, native to America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Orchid cactus, Disocactus speciosus, native to America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569784

Chinese hawthorn, Crataegus sinensis, native to China. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Chinese hawthorn, Crataegus sinensis, native to China. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569801

Bushy triggerplant, Stylidium glandulosum, native to Australia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Bushy triggerplant, Stylidium glandulosum, native to Australia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569828

False Bird of Paradise flower (Faux Oiseau du Paradis) et wagtail (Bergeronnettes ou Motacilla thoracica, Heliconia marantifolia ou Heliconia hirsuta, 1776

False Bird of Paradise flower (Faux Oiseau du Paradis) et wagtail (Bergeronnettes ou Motacilla thoracica, Heliconia marantifolia ou Heliconia hirsuta, 1776

UIS5078322

Bigflower pawpaw tree, Asimina obovata, native to America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Bigflower pawpaw tree, Asimina obovata, native to America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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Ceylon hill gooseberry, Rhodomyrtus tomentosa, native to Asia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Ceylon hill gooseberry, Rhodomyrtus tomentosa, native to Asia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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Mask flower, Alonsoa meridionalis, native to South America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Mask flower, Alonsoa meridionalis, native to South America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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Pompom tree, Dais cotinifolia, with lilac flowers. Handcoloured stipple copperplate engraving by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,”” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Pompom tree, Dais cotinifolia, with lilac flowers. Handcoloured stipple copperplate engraving by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,”” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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Lady Banks' pink, Rosa banksiae, native to China. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Lady Banks' pink, Rosa banksiae, native to China. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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Autumn daffodil, Sternbergia lutea, native to Europe and Asia. Handcoloured stipple engraving on copper by Devisse from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Autumn daffodil, Sternbergia lutea, native to Europe and Asia. Handcoloured stipple engraving on copper by Devisse from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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