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Images of 'Parisienne Sous Louis Xv' found, 48

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Parisienne Sous Louis XV

Parisienne Sous Louis XV

Robida, Albert (1848-1926)

LLM461503

18th century illustration of Louis XV, King of France, processing through Paris

18th century illustration of Louis XV, King of France, processing through Paris

Bas, Jacques-Philippe Le (1707-83)

UIG5634825

18th century illustration of Louis XV, King of France, Reigned 1715-1774 processing through Rue de Strasbourg, Paris.

18th century illustration of Louis XV, King of France, Reigned 1715-1774 processing through Rue de Strasbourg, Paris.

Bas, Jacques-Philippe Le (1707-83)

UIG5634813

French police: soldiers of the royal watch, police of the city of Paris created under Louis IX, 1254: from left to right, a crossbow of the 12th or 13th century, two archers of the 14th and 15th centuries and a picker of the 16th century. 19th century (engraving)

French police: soldiers of the royal watch, police of the city of Paris created under Louis IX, 1254: from left to right, a crossbow of the 12th or 13th century, two archers of the 14th and 15th centuries and a picker of the 16th century. 19th century (engraving)

ELD4889158

The torture of the children of the Duc de Nemours, 1844 (engraving)

The torture of the children of the Duc de Nemours, 1844 (engraving)

Patrice Cartier

PCT8672366

Paris Fashions in the reign of Louis XV

Paris Fashions in the reign of Louis XV

Pauquet, Hippolyte Louis (1797-1871)

XLF3784697

Place de la Concorde, Paris 75008, France. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis-Philippe will give it back its current name. In 1836, he called the architect Hittorf to redesign the square with the eight statues of the big cities of France and the fountains surrounding the Obelisque of Luksor.

Place de la Concorde, Paris 75008, France. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis-Philippe will give it back its current name. In 1836, he called the architect Hittorf to redesign the square with the eight statues of the big cities of France and the fountains surrounding the Obelisque of Luksor.

TEC4680987

Place de la Concorde, Paris 75008. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis-Philippe will give it back its current name. In 1836, he called the architect Hittorf to redesign the square with the eight statues of the big cities of France and the fountains surrounding the Obelisque of Luksor. One of the seated figures of one of the two fountains of Place de la Concorde

Place de la Concorde, Paris 75008. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis-Philippe will give it back its current name. In 1836, he called the architect Hittorf to redesign the square with the eight statues of the big cities of France and the fountains surrounding the Obelisque of Luksor. One of the seated figures of one of the two fountains of Place de la Concorde

Luc Boegly

LBY4681041

Ferris wheel and obelisque de la Concorde, Paris 75008, France. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis-Philippe will give it back its current name. In 1836, he called the architect Hittorf to redesign the square with the eight statues of the big cities of France and the fountains surrounding the Obelisque of Luksor.

Ferris wheel and obelisque de la Concorde, Paris 75008, France. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis-Philippe will give it back its current name. In 1836, he called the architect Hittorf to redesign the square with the eight statues of the big cities of France and the fountains surrounding the Obelisque of Luksor.

TEC4681001

Ferris wheel and obelisque de la Concorde, Paris 75008, France. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis-Philippe will give it back its current name. In 1836, he called the architect Hittorf to redesign the square with the eight statues of the big cities of France and the fountains surrounding the Obelisque of Luksor.

Ferris wheel and obelisque de la Concorde, Paris 75008, France. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis-Philippe will give it back its current name. In 1836, he called the architect Hittorf to redesign the square with the eight statues of the big cities of France and the fountains surrounding the Obelisque of Luksor.

TEC4680991

Ferris wheel and obelisque de la Concorde, Paris 75008, France. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis-Philippe will give it back its current name. In 1836, he called the architect Hittorf to redesign the square with the eight statues of the big cities of France and the fountains surrounding the Obelisque of Luksor.

Ferris wheel and obelisque de la Concorde, Paris 75008, France. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis-Philippe will give it back its current name. In 1836, he called the architect Hittorf to redesign the square with the eight statues of the big cities of France and the fountains surrounding the Obelisque of Luksor.

TEC4680995

View of a street of Paris under the reign of King Louis XV, beginning of the 18th century Chromolithography de la fin du 19th century Private Collection

View of a street of Paris under the reign of King Louis XV, beginning of the 18th century Chromolithography de la fin du 19th century Private Collection

French School, (19th century)

ELD4867685

Rostrale column, Place de la Concorde in Paris, 75008. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugred in 1763 as Place Louis XV, it became the place of the Revolution in 1792 and became the place of the capital executions. Louis-Philippe will give it back its current name. In 1836 he called the architect Hittorf to reshape the square with the eight statues of the big cities of France and the fountains

Rostrale column, Place de la Concorde in Paris, 75008. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugred in 1763 as Place Louis XV, it became the place of the Revolution in 1792 and became the place of the capital executions. Louis-Philippe will give it back its current name. In 1836 he called the architect Hittorf to reshape the square with the eight statues of the big cities of France and the fountains

TEC4681026

Rostrale column, Place de la Concorde in Paris, 75008. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugred in 1763 as Place Louis XV, it became the place of the Revolution in 1792 and became the place of the capital executions. Louis-Philippe will give it back its current name. In 1836 he called the architect Hittorf to reshape the square with the eight statues of the big cities of France and the fountains

Rostrale column, Place de la Concorde in Paris, 75008. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugred in 1763 as Place Louis XV, it became the place of the Revolution in 1792 and became the place of the capital executions. Louis-Philippe will give it back its current name. In 1836 he called the architect Hittorf to reshape the square with the eight statues of the big cities of France and the fountains

TEC4681038

Place de la Concorde in Paris Designed by Jacques Ange Gabriel (1698-1782) as a French garden, it is one of the most beautiful French squares. The works began in 1755 and the square was inaugurated in 1763 under the name of Place Louis XV, it became the place of the Revolution in 1792 and became the place of capital executions. Louis Philippe (1773-1850) gave it back its current name. In 1836 he called the architect Jakob Hittorff (1792-1867) to redesign the square with the eight statues of the big cities of France and the fountains surrounding the Luxor obelisque.

Place de la Concorde in Paris Designed by Jacques Ange Gabriel (1698-1782) as a French garden, it is one of the most beautiful French squares. The works began in 1755 and the square was inaugurated in 1763 under the name of Place Louis XV, it became the place of the Revolution in 1792 and became the place of capital executions. Louis Philippe (1773-1850) gave it back its current name. In 1836 he called the architect Jakob Hittorff (1792-1867) to redesign the square with the eight statues of the big cities of France and the fountains surrounding the Luxor obelisque.

Luc Boegly

LBY4596819

Rostrale column, Place de la Concorde in Paris, 75008. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugred in 1763 as Place Louis XV, it became the place of the Revolution in 1792 and became the place of the capital executions. Louis-Philippe will give it back its current name. In 1836 he called the architect Hittorf to reshape the square with the eight statues of the big cities of France and the fountains

Rostrale column, Place de la Concorde in Paris, 75008. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugred in 1763 as Place Louis XV, it became the place of the Revolution in 1792 and became the place of the capital executions. Louis-Philippe will give it back its current name. In 1836 he called the architect Hittorf to reshape the square with the eight statues of the big cities of France and the fountains

TEC4681047

Place de la Concorde in Paris Designed by Jacques Ange Gabriel (1698-1782) as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis Philippe (1773-1850) gave it back its current name. In 1836 he called the architect Jakob Hittorff (1792-1867), to redesign the square with the eight statues of the big cities of France and the fountains surrounding the obelisque of Luksor, realisation 1835-1840. Phototorgpahie 10/09/04.

Place de la Concorde in Paris Designed by Jacques Ange Gabriel (1698-1782) as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis Philippe (1773-1850) gave it back its current name. In 1836 he called the architect Jakob Hittorff (1792-1867), to redesign the square with the eight statues of the big cities of France and the fountains surrounding the obelisque of Luksor, realisation 1835-1840. Phototorgpahie 10/09/04.

TEC4595960

View of the Avenue des Champs Elysees from La Place de la Concorde in Paris Designed by Jacques Ange Gabriel (1698-1782) as a French garden, it is one of the most beautiful French squares. The works began in 1755 and the square was inaugurated in 1763 under the name of Place Louis XV, it became the place of the Revolution in 1792 and became the place of capital executions. Louis Philippe (1773-1850) gave it back its current name. In 1836 he called the architect Jakob Hittorff (1792-1867) to redesign the square with the eight statues of the big cities of France and the fountains surrounding the Luxor obelisque.

View of the Avenue des Champs Elysees from La Place de la Concorde in Paris Designed by Jacques Ange Gabriel (1698-1782) as a French garden, it is one of the most beautiful French squares. The works began in 1755 and the square was inaugurated in 1763 under the name of Place Louis XV, it became the place of the Revolution in 1792 and became the place of capital executions. Louis Philippe (1773-1850) gave it back its current name. In 1836 he called the architect Jakob Hittorff (1792-1867) to redesign the square with the eight statues of the big cities of France and the fountains surrounding the Luxor obelisque.

Luc Boegly

LBY4596830

Place de la Concorde in Paris Designed by Jacques Ange Gabriel (1698-1782) as a French garden, it is one of the most beautiful French squares. The works began in 1755 and the square was inaugurated in 1763 under the name of Place Louis XV, it became the place of the Revolution in 1792 and became the place of capital executions. Louis Philippe (1773-1850) gave it back its current name. In 1836 he called the architect Jakob Hittorff (1792-1867) to redesign the square with the eight statues of the big cities of France and the fountains surrounding the Luxor obelisque.

Place de la Concorde in Paris Designed by Jacques Ange Gabriel (1698-1782) as a French garden, it is one of the most beautiful French squares. The works began in 1755 and the square was inaugurated in 1763 under the name of Place Louis XV, it became the place of the Revolution in 1792 and became the place of capital executions. Louis Philippe (1773-1850) gave it back its current name. In 1836 he called the architect Jakob Hittorff (1792-1867) to redesign the square with the eight statues of the big cities of France and the fountains surrounding the Luxor obelisque.

Olivier Martin Gambier

OMG4597028

Rostrale column, Place de la Concorde in Paris, 75008. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugred in 1763 as Place Louis XV, it became the place of the Revolution in 1792 and became the place of the capital executions. Louis-Philippe will give it back its current name. In 1836 he called the architect Hittorf to reshape the square with the eight statues of the big cities of France and the fountains

Rostrale column, Place de la Concorde in Paris, 75008. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugred in 1763 as Place Louis XV, it became the place of the Revolution in 1792 and became the place of the capital executions. Louis-Philippe will give it back its current name. In 1836 he called the architect Hittorf to reshape the square with the eight statues of the big cities of France and the fountains

TEC4681011

Detail of a rostrale column, Place de la Concorde, Paris 75008. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis-Philippe will give it back its current name. In 1836, he called the architect Hittorf to reshape the square with the eight statues of the big cities of France and the fountains that surround the obelisque of Luksor without forgetting the rostral columns and candelabra that surrounded the square

Detail of a rostrale column, Place de la Concorde, Paris 75008. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis-Philippe will give it back its current name. In 1836, he called the architect Hittorf to reshape the square with the eight statues of the big cities of France and the fountains that surround the obelisque of Luksor without forgetting the rostral columns and candelabra that surrounded the square

Luc Boegly

LBY4681065

column rostrale, place de la Concorde, Paris 75008. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis-Philippe will give it back its current name. In 1836, he called the architect Hittorf to reshape the square with the eight statues of the big cities of France and the fountains that surround the obelisque of Luksor without forgetting the rostral columns and candelabra that surrounded the square

column rostrale, place de la Concorde, Paris 75008. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis-Philippe will give it back its current name. In 1836, he called the architect Hittorf to reshape the square with the eight statues of the big cities of France and the fountains that surround the obelisque of Luksor without forgetting the rostral columns and candelabra that surrounded the square

Luc Boegly

LBY4681077

Harmand David, oldest citizen of Paris (engraving)

Harmand David, oldest citizen of Paris (engraving)

English School, (19th century)

LIP8676998

Place de la Concorde in Paris, Paris 75008. Architecture by Ange Jacques-Gabriel, 1755-1763. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis-Philippe will give it back its current name. In 1836, he called the architect Hittorf to reshape the square with the eight statues of the big cities of France and the fountains that surround the obelisque of Luksor without forgetting the rostral columns and candelabra that surrounded the square

Place de la Concorde in Paris, Paris 75008. Architecture by Ange Jacques-Gabriel, 1755-1763. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis-Philippe will give it back its current name. In 1836, he called the architect Hittorf to reshape the square with the eight statues of the big cities of France and the fountains that surround the obelisque of Luksor without forgetting the rostral columns and candelabra that surrounded the square

Luc Boegly

LBY4681050

column rostrale, place de la Concorde, Paris 75008. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis-Philippe will give it back its current name. In 1836, he called the architect Hittorf to reshape the square with the eight statues of the big cities of France and the fountains that surround the obelisque of Luksor without forgetting the rostral columns and candelabra that surrounded the square

column rostrale, place de la Concorde, Paris 75008. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis-Philippe will give it back its current name. In 1836, he called the architect Hittorf to reshape the square with the eight statues of the big cities of France and the fountains that surround the obelisque of Luksor without forgetting the rostral columns and candelabra that surrounded the square

Luc Boegly

LBY4681068

Economic system: the speculative bubble at the time of the Law system, the agiotors of Rue Quincampoix - Under Louis XV, some brokers set up on Rue Quincampoix, under the name of bankers, to trade public papers and to make prices play up or down for their profits, around 1720 (View of the rue Quincampoix with the speculators at the time of the system of John Law, Scottish economist, developed between 1716 and 1720 in Paris) Engraving from “Les Rues-de-Paris” by Pierre Zaccone, 1859 Collection privee

Economic system: the speculative bubble at the time of the Law system, the agiotors of Rue Quincampoix - Under Louis XV, some brokers set up on Rue Quincampoix, under the name of bankers, to trade public papers and to make prices play up or down for their profits, around 1720 (View of the rue Quincampoix with the speculators at the time of the system of John Law, Scottish economist, developed between 1716 and 1720 in Paris) Engraving from “Les Rues-de-Paris” by Pierre Zaccone, 1859 Collection privee

ELD4870878

Reign of Louis XV : philosophy,literature,arts, 1935 (illustration)

Reign of Louis XV : philosophy,literature,arts, 1935 (illustration)

Patrice Cartier

PCT4276211

The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1

The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1

TEC4622658

The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1

The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1

TEC4622719

The Vestibule of the Folie St.James, Neuilly-sur-Seine (b/w photo)

The Vestibule of the Folie St.James, Neuilly-sur-Seine (b/w photo)

Belanger, Francois-Joseph (1744-1818)

XIR437416

The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1

The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1

TEC4622689

The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1

The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1

TEC4622659

The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1

The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1

TEC4622629

The fountains of the Rivers on the Place de la Concorde in Paris. Designed by Jacques Ange Gabriel (1698-1782) as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis Philippe (1773-1850) gave it back its current name. In 1836 he called the architect Jakob Hittorff (1792-1867), to redesign the square with the eight statues of the big cities of France and the fountains surrounding the obelisque of Luksor, realisation 1835-1840. Phototorgpahie 10/09/04.

The fountains of the Rivers on the Place de la Concorde in Paris. Designed by Jacques Ange Gabriel (1698-1782) as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis Philippe (1773-1850) gave it back its current name. In 1836 he called the architect Jakob Hittorff (1792-1867), to redesign the square with the eight statues of the big cities of France and the fountains surrounding the obelisque of Luksor, realisation 1835-1840. Phototorgpahie 10/09/04.

TEC4595952

Le Pantheon (1757-1790), Paris 5e. In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Jacques Germain Soufflot the task of drawing up the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation a

Le Pantheon (1757-1790), Paris 5e. In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Jacques Germain Soufflot the task of drawing up the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation a

TEC4622645

The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1

The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1

TEC4622625

The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1

The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1

TEC4622655

The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1

The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1

TEC4622729

Le Pantheon (1757-1790), Paris 5e. In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Jacques Germain Soufflot the task of drawing up the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation a

Le Pantheon (1757-1790), Paris 5e. In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Jacques Germain Soufflot the task of drawing up the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation a

TEC4622685

Le Pantheon (1757-1790), Paris 5e. In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Jacques Germain Soufflot the task of drawing up the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation a

Le Pantheon (1757-1790), Paris 5e. In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Jacques Germain Soufflot the task of drawing up the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation a

TEC4622723

Le Pantheon (1757-1790), Paris 5e. In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Jacques Germain Soufflot the task of drawing up the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation a

Le Pantheon (1757-1790), Paris 5e. In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Jacques Germain Soufflot the task of drawing up the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation a

TEC4622734

Le Pantheon (1757-1790), Paris 5e. In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Jacques Germain Soufflot the task of drawing up the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation a

Le Pantheon (1757-1790), Paris 5e. In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Jacques Germain Soufflot the task of drawing up the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation a

TEC4622677

The theatre Le Ranelagh in the sixteenth in Paris, 5 rue des Vignes, 75016 Paris, France. Architecture of 1894. Photography 07/09/09. In 1755, Alexandre Jean Joseph Le Riche de La Poupliniere, a farmer general under the rule of Louis XV, had a theatre built in his domain of Boulainvilliers at the end of the allee of his castle. In 1815, the gardens of the property were particularly devasted by the English according to the sources required in the Historical, Topographic and Military Dictionary of 1838. Mr. Cabal, notary, sold the estate in 1826 to speculators who traced a new district called Boulainvilliers instead of the estate. Louis Mors, the famous car builder, acquired a large part of this plot, on which he had a theatre built in 1894 at the location of the Salon de Musique de la Poupliniere.

The theatre Le Ranelagh in the sixteenth in Paris, 5 rue des Vignes, 75016 Paris, France. Architecture of 1894. Photography 07/09/09. In 1755, Alexandre Jean Joseph Le Riche de La Poupliniere, a farmer general under the rule of Louis XV, had a theatre built in his domain of Boulainvilliers at the end of the allee of his castle. In 1815, the gardens of the property were particularly devasted by the English according to the sources required in the Historical, Topographic and Military Dictionary of 1838. Mr. Cabal, notary, sold the estate in 1826 to speculators who traced a new district called Boulainvilliers instead of the estate. Louis Mors, the famous car builder, acquired a large part of this plot, on which he had a theatre built in 1894 at the location of the Salon de Musique de la Poupliniere.

Luc Boegly

LBY4748673

The theatre Le Ranelagh in the sixteenth in Paris, 5 rue des Vignes, 75016 Paris, France. Architecture of 1894. Photography 07/09/09. In 1755, Alexandre Jean Joseph Le Riche de La Poupliniere, a farmer general under the rule of Louis XV, had a theatre built in his domain of Boulainvilliers at the end of the allee of his castle. In 1815, the gardens of the property were particularly devasted by the English according to the sources required in the Historical, Topographic and Military Dictionary of 1838. Mr. Cabal, notary, sold the estate in 1826 to speculators who traced a new district called Boulainvilliers instead of the estate. Louis Mors, the famous car builder, acquired a large part of this plot, on which he had a theatre built in 1894 at the location of the Salon de Musique de la Poupliniere.

The theatre Le Ranelagh in the sixteenth in Paris, 5 rue des Vignes, 75016 Paris, France. Architecture of 1894. Photography 07/09/09. In 1755, Alexandre Jean Joseph Le Riche de La Poupliniere, a farmer general under the rule of Louis XV, had a theatre built in his domain of Boulainvilliers at the end of the allee of his castle. In 1815, the gardens of the property were particularly devasted by the English according to the sources required in the Historical, Topographic and Military Dictionary of 1838. Mr. Cabal, notary, sold the estate in 1826 to speculators who traced a new district called Boulainvilliers instead of the estate. Louis Mors, the famous car builder, acquired a large part of this plot, on which he had a theatre built in 1894 at the location of the Salon de Musique de la Poupliniere.

Luc Boegly

LBY4748669

The theatre Le Ranelagh in the sixteenth in Paris, 5 rue des Vignes, 75016 Paris, France. Architecture of 1894. Photography 07/09/09. In 1755, Alexandre Jean Joseph Le Riche de La Poupliniere, a farmer general under the rule of Louis XV, had a theatre built in his domain of Boulainvilliers at the end of the allee of his castle. In 1815, the gardens of the property were particularly devasted by the English according to the sources required in the Historical, Topographic and Military Dictionary of 1838. Mr. Cabal, notary, sold the estate in 1826 to speculators who traced a new district called Boulainvilliers instead of the estate. Louis Mors, the famous car builder, acquired a large part of this plot, on which he had a theatre built in 1894 at the location of the Salon de Musique de la Poupliniere.

The theatre Le Ranelagh in the sixteenth in Paris, 5 rue des Vignes, 75016 Paris, France. Architecture of 1894. Photography 07/09/09. In 1755, Alexandre Jean Joseph Le Riche de La Poupliniere, a farmer general under the rule of Louis XV, had a theatre built in his domain of Boulainvilliers at the end of the allee of his castle. In 1815, the gardens of the property were particularly devasted by the English according to the sources required in the Historical, Topographic and Military Dictionary of 1838. Mr. Cabal, notary, sold the estate in 1826 to speculators who traced a new district called Boulainvilliers instead of the estate. Louis Mors, the famous car builder, acquired a large part of this plot, on which he had a theatre built in 1894 at the location of the Salon de Musique de la Poupliniere.

Luc Boegly

LBY4748676

The theatre Le Ranelagh in the sixteenth in Paris, 5 rue des Vignes, 75016 Paris, France. Architecture of 1894. Photography 07/09/09. In 1755, Alexandre Jean Joseph Le Riche de La Poupliniere, a farmer general under the rule of Louis XV, had a theatre built in his domain of Boulainvilliers at the end of the allee of his castle. In 1815, the gardens of the property were particularly devasted by the English according to the sources required in the Historical, Topographic and Military Dictionary of 1838. Mr. Cabal, notary, sold the estate in 1826 to speculators who traced a new district called Boulainvilliers instead of the estate. Louis Mors, the famous car builder, acquired a large part of this plot, on which he had a theatre built in 1894 at the location of the Salon de Musique de la Poupliniere.

The theatre Le Ranelagh in the sixteenth in Paris, 5 rue des Vignes, 75016 Paris, France. Architecture of 1894. Photography 07/09/09. In 1755, Alexandre Jean Joseph Le Riche de La Poupliniere, a farmer general under the rule of Louis XV, had a theatre built in his domain of Boulainvilliers at the end of the allee of his castle. In 1815, the gardens of the property were particularly devasted by the English according to the sources required in the Historical, Topographic and Military Dictionary of 1838. Mr. Cabal, notary, sold the estate in 1826 to speculators who traced a new district called Boulainvilliers instead of the estate. Louis Mors, the famous car builder, acquired a large part of this plot, on which he had a theatre built in 1894 at the location of the Salon de Musique de la Poupliniere.

Luc Boegly

LBY4748691

The speculative bubble at the time of the Law system, 19th century (engraving)

The speculative bubble at the time of the Law system, 19th century (engraving)

ELD4920303

View of the rue Quincampoix with the speculators at the time of the system of John Law, 19th century (engraving)

View of the rue Quincampoix with the speculators at the time of the system of John Law, 19th century (engraving)

ELD4905830

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