This search will return exact matches only. For best results:
Please note that only low-res files should be uploaded. Any images with overlay of text may not produce accurate results. Details of larger images will search for their corresponding detail.
Drag file here
Upload
Processing search results
Waiting for update..
Error:
Search by Color
Choose your Colors
Add up to 5 colors and slide the dividers to adjust the composition
Add Color Block
Filters
Add keywords to refine your results
Search
Advanced Search
Search Tips
Searching for a particular field
Field
Search term
Example
Asset title
title:
title:pony
Asset title and keywords
~
~pony
Asset description text
description:
description:london
Agency prefix
prfx: or $
prfx:lal or $LAL
Asset id
imageid:
imageid:250297 or imageid:[2500 TO 4000]
Agency name
coll:
coll:history
Medium
medium:
medium:oil
Century
century:
century:20th
Keywords
kw:
kw:dog
Artist name
artist: or ?
artist:monet or ?monet
Artist nationality
??
??French
Creator ID
creatorid:
creatorid:37
Location
loc: or @
loc:exeter or @exeter
Classification
class: or #
class:57 or #57. Use # for unclassified assets
Year
year:
year:1850 or year:[1700 TO 1800]
Metadata Block (Hidden)
Contact us for further help
High res file dimension
Search for more high res images or videos
James I, c.1609-15 (w/c on vellum laid on playing card)
IMAGE
number
ROC3707674
Image title
James I, c.1609-15 (w/c on vellum laid on playing card)
James I (1566-1625)
James I proved a stalwart patron of Nicholas Hilliard, supporting his role as Court Limner, and in 1617, towards the end of the artist's life, granting a patent that gave 'our well-beloved servant Nicholas Hilliard, gentleman, our principal drawer for the small portraits and embosser of our medallions of gold' a monopoly for twelve years over the production of royal portraits. The portrait miniature must have proved the ideal art form for distributing to loyal supporters as James I established the credentials of the new Stuart dynasty. His grant of this monopoly to Hilliard was therefore perhaps a recognition of the service that Hilliard had rendered throughout James's reign in the production of numerous portrait miniatures of the king, which have been categorised into three broad portrait types. The present miniature shares the characteristics of miniatures in the second of these groups, depicting the king in middle-age, wearing a lavender-coloured doublet and the Garter badge on a blue ribbon at his neck. James I is presented closer to the viewer than miniatures from the earlier type (see for example, 420047: Royal Collection) and is set against a red curtain background painted using the wet-in-wet technique. The distinctive doublet appears to match the description of the king's costume in a miniature described by Abraham van der Doort, Surveyor of Pictures to Charles I, in his catalogue of the miniatures in Charles I's collection (1639/40). He records: 'king James of famous memory Picture wthout [sic] a hatt in a bone lac'd falling band in a Lavender Cloth suite' which was 'Don by old Hilliard Bought by yor Matie'. Further possible descriptions of a miniature of this kind can be traced through the inventories of Charles II, James II and William III. There is a discrepancy between the size given by Van der Doort and the dimensions of the present miniature, but it remains possible that this is the work bought by Charles I for his collection.