Published 25/06/2014
With the centenary of the First World War, we have categorised our content into key themes to aide your research. All images and archive footage available for licensing.
Collections represented by Bridgeman include the National Army Museum and Imperial War Museum in London and Peter Newark Military Pictures. Photographs, paintings, maps, portraits, drawings and archive footage can all be sourced.
For a more indepth search please visit our browse category for World War I and World War II.
Unable to find what you are looking for? Please contact one of our expert researchers who will probably be able to access it from our extensive archive offline. Email nysales@bridgemanimages.com
Life in the Trenches |
Prisoners of War In 1915 the Germans constructed a system of camps to house prisoners captured in battle. Governments created laws that soldiers were required to treat their prisoners humanely and that all their personal belongings except weapons, horses and military papers remained their own. With so many individuals in close confines, hygiene and disease became major problems. For some, the signing of the Armistice in 1918 meant not only the end of war, but of four years in captivity. |
Stretcher bearers on the Western Front (w/c over pencil), 'Gunner' F. J. Mears (c.1890-1929) / Private Collection
Injuries and Medical Treatment
Not only were injuries a result of the massive use of artillery, but illnesses were a prominent threat in the trenches. Full of water and vermin, disease spread quickly. Soldiers fell victim to Trench Foot, Trench Mouth, cholera, and influenza.
Physical injuries caused by bullets and explosions were dealt with in hospitals; doctors and nurses had never dealt with wounds on this scale before. Plastic surgery and skin grafting were developed in this period as a result of the unprecedented trauma. Along with physical scars, soldiers suffered psychologically. Symptoms of what we now recognise as shell-shock or post-traumatic stress disorder included agitation, flashbacks, fatigue, and difficulty concentrating.
Artillery Artillery was the reason for the success in battles of the war. The range of weapons helped troops gain land and influenced strategies of attack, operations, and tactics. Guns fired at longer distances, explosions were larger, and trajectories of weapons were able to reach further. Machine guns were the most deadly weapon. The British thought the machine gun was an overrated weapon but realized its destructive capabilities in the Battle of the Somme when 60,000 men were killed, most from machine gun fire. |
Fashion and Uniforms The jobs where women replaced men required uniforms or trousers and women’s fashion developed to reflect these alterations in society. With the production of military uniforms, fashion itself took on a more structured military look. Tones were muted, designs simple, and gender based dress codes relaxed. Men’s fashion adapted to the environments of war and constant improvements were made for the practicality of life in the trenches. British soldiers wore a thick woollen tunic and trousers dyed khaki colours. |
Rationing Food shortages were not an issue in Britain until 1917. Germany declared unrestricted U-Boat access and many of the ships coming from America and Canada with food and supplies were sunk, imperilling Britain's vital supply route. As food increased in price, rationing also began. The government in Britain took over millions of acres of farming land in order to control the production and distribution of food. Rationing cards were issued and food intake monitored. Although the strategy was essentially successful, butter and sugar remained rationed until 1920. |
Conscientious Objectors Many people were morally opposed to war and refused to serve their country; they came to be termed conscientious objectors. Some found alternative ways of supporting the war effort, but many were arrested and sent to prison. The problem became particularly critical in 1916 when conscription laws were introduced. Other waves of protest occurred during the war and even after in relation to food rationing, women's rights, and the lack of support for demobilised soliders and their families. |
Chemical Warfare The First World War is referred to as the chemist’s war. Heavier than air, gas proved an effective weapon for targeting men in trenches. Different types of gas performed different tasks: tear gas could disable men, whilst mustard gas, phosgene, and chlorine were fatal. Billowing clouds of gas have become one of the defining images of the war, but ultimately it was responsible for only four percent of the total death toll. Gas masks and efficient warning systems were developed to minimise casualities. |
Corn Poppies in Holm, 2004 (oil on canvas), Susanne Wind, (Contemporary Artist) / Private Collection
Role of the Colonies When Britain declared war, this declaration stood for Britain and its colonies, who contributed valuable military and financial support. The actions of colonies, such as Australia and New Zealand, had huge ramifications and proved a stepping stone on the way to independence for some of these nations. Many of soldiers, especially those from Australia, not only served their empire, but most of them volunteered to fight. The role of the colonies in the war was honoured by Prime Minister David Lloyd George in 1917 when imperial policy was reviewed. |
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Animals in the War 'War horses' were heavily used in World War One but the use of machine guns in the battlefield reduced their force and increased their vulnerability. By 1917, Britain alone had over 1 million horses in service. 484,000 horses were lost over the course of the war. Dogs in war, thanks to their speed and agility, played an important role as messengers between troops. Dogs, being man’s best friend, also served as a psychological comfort for soldiers in the trenches. |
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Women's Roles When men joined the army, women took over the civilian work force. Positions were available in the military as care givers, nurses, and even jobs in ammunition factories. Off shift, their contributions included knitting clothes and gathering supplies. The war opened up a drastically wider range of occupations for women that surpassed domestic service. In Britain alone, about two million women took over for men in the work force from 1914 to 1918. |
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War in the Skies World War One was the first conflict to involve deployed aircraft on a large scale. Already used for reconnaissance, planes and zeppelins would play a key role in bombing enemy targets. Air combat was not common pre 1914, but became more prominent and sophisticated. Hand-held guns and grenades were replaced with more accurate mounted machine guns. Zeppelins, a more advanced observation balloon, provided room for more ammunition to be carried. Most famously, however, they were used again London during the air raids. |
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Battle at Sea Being an island, Britain had the strongest naval fleet in the world and participated in an on-going naval arms race with Germany. Britain's firepower came from battleships and dreadnoughts, whereas Germany was better known for its submarines and U-Boats. Submarines were increasingly useful, as they could approach boats out of the aim of weapons. Underwater mines, meanwhile, were placed around coastlines to prevent ships supporting a land attack. It was the sinking of the RMS Lusitania with its mostly civilian passengers that prompted America to join the war in 1917. |
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Leaders of the War From Tsar Nicholas II to Lloyd George, the leaders of World War One changed and fluctuated. Age, death, resignation, and assassination forced the rulers of countries and military leaders alike from their posts. King George V, General Douglas Haig, President Woodrow Wilson - these are just some of the names and faces we recognise today, made famous (or, in some cases infamous) by their conduct, competency, and deeds during wartime. |
Propaganda Posters
Britain had no propaganda agencies when the war broke out in 1914, but it wasn’t long after that many began to form. The most popular medium were posters and each countries involved used them to convey a variety of messages to the public:
- British Propaganda Posters
- French Propaganda Posters
- German Propaganda Posters
Recruitment was a central idea with major themes of patriotism demanding the public to contribute all they could to the war. All countries freely manipulated emotional concepts, such as brotherhood, loyalty, and honour. Propaganda posters made war appear glorious, patriotic, and a bonding experience between allies. They omitted the horror, death, and terror of battle.
Search all propaganda posters in WW1
Political Cartoons Newspapers easily mass-produced information, documenting death tolls, advances in battle, equipment gained, and more. However, the government maintained careful control of the information that was dispersed to the public. Political cartoons were also published in these newspapers. Full of symbolism and allegory, these cartoons could portray a sense of patriotism towards the war, but often evinced a cynical view of it, lambasting governments for the waste of life and resources. |
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War Memorials Following the unprecedented casualties of war, space was needed to grieve for the dead. Many monuments were constructed in the 1920s and 30s to preserve the memory of the fallen. The Treaty of Versailles stated that each country was responsible for the maintenance of military graves within their borders. However, problems arose when some bodies were never repatriated and many others were unidentifiable, prompting the construction of many national monuments dedicated to an 'Unknown Soldier'. |
War Artists
Official war artists were a selected group, employed on a contract to produce images of the war. Britain employed around 20 artists between 1914 - 18. Their role was to sketch, draw and paint as many aspects of the war and their experience as possible.
Among the most famous of these artists were Paul Nash (sent to the front line in 1917), Eric Kennington, John Nash - younger brother of Paul - and Christopher Nevinson. Nevinson, a Bridgeman copyrighted artist, originally enlisted in the ambulance unit in 1914, but returned home due to illness where he produced his striking early work. He received his official commission on the back of these images.